'THE RULES OF REVELATION is not only a glorious, bold, funny state-of-the-nation novel, but a beautiful and painful love story too' SALLY ROONEY 'One of the great achievements of modern Irish fiction' SUNDAY TIMES REUNIONS. RECRIMINATIONS. RECKONINGS. Ireland. Great nationalists, bad mothers and a whole lot of secrets. Ryan Cusack is ready to deliver its soundtrack. Former sex-worker Georgie wants the truth about Ryan's past out there but the journalist has her own agenda. Mel returns from Brexit Britain, ill-equipped to deal with the resurgence of a family scandal. Karine has always been sure of herself, till a terrible secret tugs the rug from under her. Maureen has got wind that things are changing, and if anyone's telling the story she wants to make sure it's her. A riotous blast of sex, scandal, obsession, love, feminism, gender, music, class and transgression from an author with tremendous, singular talent.

'THE RULES OF REVELATION is not only a glorious, bold, funny state-of-the-nation novel, but a beautiful and painful love story too' SALLY ROONEY REUNIONS. RECRIMINATIONS. RECKONINGS. Ireland. Great nationalists, bad mothers and a whole lot of secrets. Ryan Cusack is ready to deliver its soundtrack. Former sex-worker Georgie wants the truth about Ryan's past out there but the journalist has her own agenda. Mel returns from Brexit Britain, ill-equipped to deal with the resurgence of a family scandal. Karine has always been sure of herself, till a terrible secret tugs the rug from under her. Maureen has got wind that things are changing, and if anyone's telling the story she wants to make sure it's her. A riotous blast of sex, scandal, obsession, love, feminism, gender, music, class and transgression from an author with tremendous, singular talent.

Working-class stories are not always tales of the underprivileged and dispossessed. Common People is a collection of essays, poems and memoir written in celebration, not apology: these are narratives rich in barbed humour, reflecting the depth and texture of working-class life, the joy and sorrow, the solidarity and the differences, the everyday wisdom and poetry of the woman at the bus stop, the waiter, the hairdresser. Here, Kit de Waal brings together thirty-three established and emerging writers who invite you to experience the world through their eyes, their voices loud and clear as they reclaim and redefine what it means to be working class. Features original pieces from Damian Barr, Malorie Blackman, Lisa Blower, Jill Dawson, Louise Doughty, Stuart Maconie, Chris McCrudden, Lisa McInerney, Paul McVeigh, Daljit Nagra, Dave O'Brien, Cathy Rentzenbrink, Anita Sethi, Tony Walsh, Alex Wheatle and more.

WINNER OF THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016 WINNER OF THE DESMOND ELLIOT PRIZE 2016 We all do stupid things when we're kids. Ryan Cusack's grown up faster than most - being the oldest of six with a dead mum and an alcoholic dad will do that for you. And nobody says Ryan's stupid. Not even behind his back. It's the people around him who are the problem. The gangland boss using his dad as a 'cleaner'. The neighbour who says she's trying to help but maybe wants something more than that. The prostitute searching for the man she never knew she'd miss until he disappeared without trace one night . . . The only one on Ryan's side is his girlfriend Karine. If he blows that, he's all alone. But the truth is, you don't know your own strength till you need it.

The second novel from the author of the Baileys Prize-winning The Glorious Heresies 'Fast paced, compelling, and thrilling, Lisa McInerney writes the type of fiction that is both beautifully crafted and immensely enjoyable' Louise O'Neill 'The Blood Miracles has all the brio, street smarts and vicious linguistic verve of The Glorious Heresies, but with this follow up Lisa McInerney also reminds us just how brilliantly accomplished and ruthlessly focused a storyteller she is' Colin Barrett Like all twenty-year-olds, Ryan Cusack is trying to get his head around who he is. This is not a good time for his boss to exploit his dual heritage by opening a new black market route from Italy to Ireland. It is certainly not a good time for his adored girlfriend to decide he's irreparably corrupted. And he really wishes he hadn't accidentally caught the eye of an ornery grandmother who fancies herself his saviour. There may be a way clear of the chaos in the business proposals of music promoter Colm and in the attention of the charming, impulsive Natalie. But now that his boss's ambitions have rattled the city, Ryan is about to find out what he's made of, and it might be that chaos is in his blood.

REUNIONS. RECRIMINATIONS. RECKONINGS. Ireland. Great nationalists, bad mothers and a whole lot of secrets. Ryan Cusack is ready to deliver its soundtrack. Former sex-worker Georgie wants the truth about Ryan's past out there but the journalist has her own agenda. Mel returns from Brexit Britain, ill-equipped to deal with the resurgence of a family scandal. Karine has always been sure of herself, till a terrible secret tugs the rug from under her. Maureen has got wind that things are changing, and if anyone's telling the story she wants to make sure it's her. A riotous blast of sex, scandal, obsession, love, feminism, gender, music, class and transgression from an author who is 'totally and unmistakably the real deal' (Kevin Barry).

We read because we want to experience lives and emotions beyond our own, to learn, to see with others' eyes. The 32 is a celebration of working-class voices from the island of Ireland. Edited by award-winning novelist Paul McVeigh, this intimate and illuminating collection features memoir and essays from established and emerging Irish voices including Kevin Barry, Dermot Bolger, Roddy Doyle, Lisa McInerney, Lyra McKee and many more. Too often, working-class writers find that the hurdles they come up against are higher and harder to leap over than those faced by writers from more affluent backgrounds. As in Common People - an anthology of working-class writers edited by Kit de Waal and the inspiration behind this collection - The 32 sees writers who have made that leap reach back to give a helping hand to those coming up behind. Without these working-class voices, without the vital reflection of real lives or role models for working-class readers and writers, literature will be poorer. We will all be poorer.